CASE STUDY: LA SALADA, BUENOS AIRES

Crossing the river Riachuelo (still from 'Hacerme Feriante', 2011)

BECOME A STALLHOLDER: DUPLICATING LA SALADA

Occupying the derelict remains of a once popular resort area on the fringes of Buenos Aires, La Salada is a sprawling informal flea market that specializes in textiles. Twice a week, at daybreak, this fair activates a powerful non-hegemonic economy in which numerous home-based manufacturers sell their goods to wholesalers coming from across the country.

In this process, new transnational social actors are establishing another city: An immense landscape of occupation and appropriation of an abandoned space that has been re-populated in a challenging way, duplicating the neoliberal city but also sabotaging it and opening it to a distinct time and space.

Because of judicial pressure on the city hall to clean up pollution of the Riachuelo river (a geographic landmark that involves three jurisdictions – municipal, state and national), the most parlous stalls located along the riverbank have recently been forcefully removed. This marks the beginning of a process of formalization that will benefit both the merchants who have set themselves up in warehouses in built-up areas and the informal real estate business. Every displacement engenders dispersion, a new phase for the riverbank stallholders who will turn to other peripheries for their trade.

Location(s): Buenos Aires, ARGENTINA On-Site Collaborators:
m7red
Julián d’Angiolillo

Photography: Julián d’Angiolillo
(stills from ‘Hacerme Feriante’)

Results of this case study were published in:

The former resort in its heyday

The former resort in its heyday

Crossing the river Riachuelo

Virgen de Urkupiña celebration

Parked coaches that ferry wholesalers from the countryside to the market

The market at dawn

Cash flow

Home based textile sweatshop

The Ribera’s most parlous fair along the riverbanks, cleared in January 2012

Ruins of the former resort

CONTRIBUTOR(S):

m7redis an independent research group co-founded by Mauricio Corbalan and Pio Torroja in Buenos Aires in 2005.

Julián d’Angiolillo
has a degree in visual arts and playwriting.